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毫无疑问,在当今文坛上,70后作家至少在数量上是创作的主力。他们的名字占据着各个文学期刊的目录页和各种文学奖项的获奖名单,他们中间那些创作成绩得到文学界广泛承认的作家,有大量的学者分析着他们的作品,有意从事文学创作的初习写作者把他们作为学习、模仿的榜样。那些各居一方的70后作家本人,则频繁受邀参加天南海北的主题研讨会,介绍着自己的创作经验、文学主张。(1)然而,对70后作家的研究,作为如今当代文学研
There is no doubt that in today’s literary arena, post-1970 writers are at least the main force of creation. Their names occupy the catalog pages of various literary journals and winners of various literary awards. Among them, those writers whose works have been widely recognized by the literary world have a large number of scholars who analyze their works and intend to engage in the preliminary study of literary creation Writers use them as a model for learning and imitation. Those who live in one after the 70 post-writers themselves, are frequently invited to participate in the theme of the seminar, introducing their own creative experience, literary ideas. (1) However, the study of 70 post-writers, as today’s contemporary literature research