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本文以非营利性剧场“下河迷仓”所孵化的民间剧社为案例,探讨面对消费主义定律对艺术创作个性的消弭,社会个体如何从自身的表演行动出发来寻求出路,如何在抵抗中进行主体性重建,从而探寻主流剧场空间之外“民间剧场”艺术精神的本质内涵。
This article takes non-profit theater “folk song theater ” hatched folk drama community as a case study, discusses how to face the consumerism of personality elimination of artistic creation, social individual how to seek a way out from their acting action, how In the resistance of the subjective reconstruction, so as to explore the mainstream theater space “folk theater ” the essence of artistic connotation.