西藏歌谣巫术心态的两个表现是 :1、歌唱者潜意识中相信歌谣唱诵具有巫术的力量 ,他们借助夸张、假设等手法 ,试图在歌谣中把愿望变为现实 ;2、“比”和“兴”是交感巫术 (含模仿巫术和接触巫术 )在歌谣技巧中的重要表现。这两种心态表明西藏歌谣与早期巫术有着渊源关系。 The two manifestations of the Tibetan ballad witchcraft mentality are as follows: 1. The singer’s subconscious believes in ballads singing and chanting witchcraft. With the help of exaggeration and assumptions, they attempt to turn their wishes into reality in ballads. 2. “Than” And “Xing” is an important manifestation of ballad techniques in the sympathetic witchcraft (including imitation witchcraft and contact witchcraft). These two kinds of mentality show that Tibetan songs and early witchcraft have a relationship.