在中国文艺美学的发展史上,严羽的《沧浪诗话》占有重要地位。全书由《诗辩》、《诗体》、《诗法》、《诗评》、《考证》构成。其中《诗辩》是全书的总纲,也是历来研究的重点。《诗评》则是其中一个重要的部分,是对《诗辩》有关理论观点的具体贯彻和重要补充,论述了历代诗歌之风格特征和艺术成就。在《诗评》中,他提出了词理意兴、诗歌之气象等问题,并把“风骨”也作为评诗的重要标准之一。 In the history of the development of Chinese literary aesthetics, Yan Yu’s “Canglang Poetry” occupies an important position. The book consists of “poetry debate”, “poetic style”, “poetry method”, “poetry review”, “textual research”. Among them, “Poetry Debate” is the general outline of the book, which is also the focus of previous studies. “Poetry Criticism” is one of the most important parts. It is a concrete implementation and an important supplement to the theoretical points of “Poetry Debate.” It expounds the style characteristics and artistic achievements of ancient poetry. In “Poetry Criticism”, he put forward such questions as the phrasing of li, the meteorology of poetry and so on, and also regarded “Feng Gu ” as one of the important standards of poem evaluation.