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一道大幕把歌手与听众分隔在两个世界,舞台的高度将歌手托举到了听众走不到的地方。但倔强的听众以为退场的歌手是自己的歌手,他们狂欢一样在黑暗中叫喊。大幕一侧的化妆间里,法里内利对掌声充耳不闻,神情极度忧郁。在亨德尔时代,一名歌手被阉割了,让其声音发生变化,为的是使情感单一而纯粹,接近崇高。崇高的法里内利代表神圣即将熄灭的光焰。他之后的歌剧渐具世俗色彩,歌手从天梯走向地面。当歌手置身于戏剧冲突中时,上帝换了冠冕,披上了世俗之王的戏装。到罗西
A big screen separates the singer from the audience in two worlds, with the stage lifted to the point where the audience can not reach. But stubborn audiences think the exit singers are their own singers, who, like carnival, yell in the darkness. The dressing room on the side of the curtain, Farinelli turned a deaf ear to the applause, the expression of extreme depression. In the Handel era, a singer was emasculated and his voice changed in order to make the emotion of a single, pure, and near sublime. The noble Farinelli represents the flame of immortality that is about to be extinguished. After his opera gradually mundane, singer from the ladder to the ground. When the singer was in the theater of conflict, God changed his crown and put on the costume of the secular king. To Rossi