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魏明伦先生曾坦言:“当代戏曲面临中国戏曲史从未有过的奇特处境,台上振兴、台下冷清。当代戏曲不是没有好戏,而是戏再好也少有观众上门。其根本原因就是戏曲舞台艺术已经不是现代人重要文娱方式了。”魏明伦先生是振兴川剧35年间最耀眼的标志人物之一,他的九个代表作犹如九道川味菜,以鬼才独有的思维调制出了浓郁、鲜香的底料,渗入川剧原有的味觉体系,成了极具辨识度的重口味,即便端上全国戏曲舞台餐桌供五湖四海的食客自助,也能顷刻激活人的味蕾,口感饱满。1980年
Mr. Wei Minglun once said frankly: “The contemporary drama is facing the peculiar situation that the history of Chinese opera has never had before, the revitalization of the stage and the desertification of the audience.” The contemporary drama is not without good shows but at least with fewer and fewer spectators. That is, opera stage art is no longer an important mode of entertainment for the modern people. “” Mr. Wei Minglun is one of the most dazzling symbols in rejuvenating Sichuan Opera for 35 years. His nine masterpieces resemble the Jiuchuan Sichuan cuisine and are modulated by the unique ideas of the devil Rich, fragrant end of the material, infiltration Sichuan taste of the original system of taste, has become a highly recognizable heavy taste, even if the end of the national opera stage table for all corners of the world self-help diners, but also instantly activate the taste buds, fullness. in 1980