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郭熙是北宋杰出的山水画家和理论思想家,其毕生创作灵感和美学思想及独到的绘画艺术见地被其子编撰整理而成《林泉高致》。文章中所提到的“真山水之烟岚,四时不同”;“君子之所以爱夫山水者,其旨安在”等一系列以美学为中心的命题,对后世的美学思想传播和发展做出了重要的铺垫和极其长远的影响。通过诸多学者对郭熙绘画风格构成基础的整理,以及对其美学思想产生原由的探究,使得郭熙的美学思想形成了系统的完整画论。郭熙的美学思想是以宋代的文化经济、政治生活为背景,并结合了大量的绘画作品相关联历史文献所著而成的。后世的很多山水画学者对郭熙美学思想的研究效仿,论证了《林泉高致》对我国山水画的发展产生了巨大的推进作用。同时也说明了《林泉高致》是屈指可数的传世经典之作。本文从心灵之美、和谐之美、意境之美三个方面对郭熙的《林泉高致》中的美学思想作了深入的探究,以期为山水画美学思想的研究或创作提供有价值的参考。
Guo Xi is an outstanding landscape painter and theoretical thinker in the Northern Song Dynasty. His life inspiration and aesthetic ideas as well as his unique art of painting are vividly compiled by his son. Mentioned in the article “true landscape of the smoke Lan, four o’clock different ”; “the gentleman reason lover landscape, its purpose in ” and a series of aesthetics as the central proposition, the later aesthetics The spread of ideas and development have made important groundwork and have an extremely long-term impact. Through many scholars’ compilation of the foundation of Guo Xi ’s painting style and the exploration of the causes of his aesthetic thoughts, Guo Xi’ s aesthetic thoughts formed a systematic and complete painting theory. Guo Xi’s aesthetic thoughts are based on the cultural, political and political life in the Song Dynasty, combined with a large number of related historical documents. Many later generations of landscape painters researches on the study of Guo Xi’s aesthetic thoughts, demonstrating that Lin Quan Gao Zhi produced a tremendous impetus to the development of Chinese landscape paintings. At the same time, it also shows that “Lin Quan Gao Zhi” is a handful of handed down classics. This article makes an in-depth study of Guo Xi’s aesthetic thoughts in Lin Quan Gao Zhi from three aspects: beauty of mind, beauty of harmony and beauty of artistic conception, in order to provide valuable reference for the research or creation of aesthetics of landscape painting.