甩腔又叫拋腔、拖腔,广泛存在于我国的戏曲艺术中,是指无词的音调,一般出现在词汇或句子之后,是戏曲艺术表现情感、描绘形象的重要手段。常派甩腔是由豫剧大师常香玉所创,是多年来在舞台实践中,不断吸收和创新的结果。近些年来,随着我国歌剧事业的蓬勃发展,唱腔上的互为借鉴和运用,戏曲唱腔已经渗透扎根于民族歌剧的演唱中,并很好的服务于人物形象的刻画和塑造。本文通过对常派甩腔唱法的分析研究,结合实例,把常派甩腔尝试性地运用到了我国民族歌剧的演唱中。 Discharge chamber, also known as throwing chamber, drag chamber, widely present in the Chinese opera art, refers to the wordless tone, usually after the words or sentences, is an important means of performance of drama art, depicting the image. Often sent rejection chamber is created by Chang opera Yu opera master, over the years in the practice stage, the result of continuous absorption and innovation. In recent years, with the vigorous development of our country’s opera business and the mutual reference and use of singing, the opera aria has infiltrated into the singing of the national operas and serves well the portrayal and shaping of characters. In this paper, through analysis and study of the traditional method of singing and singing, combining the examples, the author often tries to apply it to the singing of our national operas.