艺术作为物化的精神现象,是人的劳动发展到一定阶段的必然产物,艺术属于人。然而艺术与人的关系并不是一开始就存在自觉的因素,因此,把艺术放在人类实践的历史中考察其意义,对于弄清艺术本体的本质及主要内容是十分必要与有益的。作用于自然的劳动创造了人,也创造了艺术本身。马克思主义这一人论观与艺术观也是经历了一个从黑格尔式的唯心主义到费尔巴哈式的唯物主义,进而到历史唯物主义的转变过程,正如马克思的诗所写:在 Art as a materialized spiritual phenomenon is the inevitable product of the development of human labor to a certain stage. Art belongs to man. However, the relationship between art and human beings is not a conscious one at the outset. Therefore, examining the significance of art in the history of human practice is very necessary and beneficial to understand the essence and main content of art ontology. Work created by nature creates people and creates art itself. Marxist theory of man and art also goes through a process of transformation from Hegelian idealism to Feuerbach’s materialism to historical materialism as Marx’s poem writes