北宋时期的题画诗与诗意画呈现出明显的诗画参融整合现象,这一现象与北宋士人、文人的审美发生密切相关。本文从“六艺”之外的“画者”之地位流变,参融整合:融合视觉与想象之长的题画诗,诗画共同的表达主题、情感依附与审美趣味三方面来阐释这一问题。 The poems and poetic paintings of the Northern Song Dynasty showed obvious phenomena of integration of poetry, painting and painting. This phenomenon is closely related to the aesthetic appearance of scholars and literati in the Northern Song Dynasty. This article from the “Liu Yi ” beyond the “artist ” status change, participation and integration: integration of vision and imagination of the long poem, poetry and painting common expression theme, emotional attachment and aesthetic taste of three aspects To explain this issue.