乡土,是当代散文书写的一个重要场域。在汹涌的城市化浪潮的裹挟下,乡村的贫瘠、荒凉、落寞已经越来越触目惊心地呈现在人们的面前。作为散文作者,面对这样的现实,自然会生出无限感慨。因此,追怀、铭记乡村尘俗生活的自然、朴野、宁馨、温情的一面,便成为诸多感怀、沉思散文中的重要脉络。从这个意义上讲,李雪峰的《偷秋》一文可算是一篇佳作。它以细致的笔触描绘出颇具童趣的乡村偷秋的民俗风情图,展现了“村庄人”朴素、本真的个性,对美好、幸福生活的憧憬。这篇文章的景物描 Native land is an important field for contemporary prose writing. In the turbulent tide of urbanization, the impoverishment, desolateness, and desolateness of the countryside have become more and more shocking to people. As an author of a prose, in the face of such a reality, naturally there will be infinite emotion. Therefore, cherishing and bearing in mind the natural, rustic, peaceful, and warm-hearted side of the rustic life in the countryside have become an important context in many thoughts and meditations. In this sense, Li Xuefeng’s article “Stealing Autumn” can be considered a masterpiece. With detailed brushstrokes, it depicts the folk customs of the playful countryside and reveals the “village people”’s simple and innocent character, and the embarrassment of a beautiful and happy life. The scene description of this article