本文采用美国犹太裔女性主义者贝蒂·弗里丹(1921—2006)的前期理论,对小说《赫索格》中生活在“女性的奥秘”中的黛西、菲比、丹妮以及莎拉等四传统犹太女性角色进行了女性主义解读,揭示贝娄在创作中对传统女性角色所寄予的深刻同情以及在女性问题上所持的进步观点。 This article uses the prophase theory of American Jewish feminist Betty Fridin (1921-2006) to analyze Daisy, Phoebe, Danny and the “Mysteries of Women” in Herzog’s novel Sarah and other four traditional Jewish women were interpreted by feminism to reveal Bellow’s profound sympathy for the traditional female role in her writing and her progressive view on the issue of women.