“逍遥”一直被视为庄子精神的内核,千古解《庄子》者立论甚多,逍遥(翱翔)已成为一种文化精神,本文试图探求其在最早的中国文学《诗经》,尤其是《诗·郑风》中的本义,以及其中的艺术表征,如驭马和搏虎等意象的择取和主人公抒情的热烈泼辣等,进而从地域和历史两个层面初步探讨此种表征成因。 “Happy” has always been regarded as the core of Zhuangzi’s spirit. The eternal solution to “Zhuangzi” has many arguments, and Happy (Soaring) has become a kind of cultural spirit. This article attempts to explore its original “Book of Songs” in Chinese literature, especially The original meaning in “Poetry Zheng Feng”, as well as the artistic representation among them, such as the selection of such images as controlling horses and fighting tigers and the heroic lyrical enthusiasm of the protagonists, and then explores the causes of such representation from the perspective of geography and history.