Film sound has changed the way of music has been composed and appreciated in our time.Nevertheless, digital cinematic tools also make my film experiments possible, allowing me to cultivate the language of cinema through the study of music composition techniques and grammar.The cinematic tools recognize the similarity in the language of music and narrative in cinema.I create a 14-minute film WATER by modeling Ravels technique.In "Ondine", Bertrands poem serves as the blueprint for Ravels music;the music is considered the narrative.In film Water, the screenplay serves the same function as Bertrands poem does for Ravel, as a blueprint from which I derive the narrative film.WATER is an attempt to study the essence of music, to present a conception of form and technique, a manner of expression derived from the same object of inspiration: water.