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在电影批评的理论阵营中,20世纪50年代产生于法国的“作者论”是欧美电影理论的重要资源,对中国当代电影创作和电影批评亦产生重要影响。70年代后“作者论”作为一个理论话语逐渐式微,但它对当代电影特别是艺术电影创作的影响却延续至今。本文从“作者论”的发展过程入手,对“作者论”的理论要点进行剖析,分析“作者论”衰败而其理论精髓却何以成为一种电影精神或追求的原因。
Among the theoretical camps of film criticism, “Author Theory” originated in France in the 1950s is an important resource for European and American film theory and has an important influence on the contemporary movie production and movie criticism in China. Since the 1970s, author theory has been gradually declining as a theoretical discourse, but its influence on contemporary cinema, especially artistic cinema creation, has continued to this day. This article starts with the development of “Author Theory ” and analyzes the theoretical points of “Author Theory ”, analyzing the decline of “Author Theory ” and why its theoretical essence has become a movie spirit or the pursuit of reason.