明代学者、画家董其昌,曾有这样一句名言:“画家以古人为师,已自上乘,进此当以天地为师。”这句话,强调了“师前人”与“师造化”的先后顺序,可谓真知灼见。凡是有过绘画经历的人都知道,不掌握规范的程式性的程序而直接面对自然创造艺术形象是非常困难的;同时反过来看,一味地强调笔墨神韵而忽视具体的物象,也会走 Ming dynasty scholar and painter Dong Qichang had such a famous saying: “The painter used the ancients as his teacher, and he had taken the superiority and entered the world as a teacher.” This sentence emphasizes that “teachers and predecessors” and “ Teachers of good luck, ”the order, can be described as insight. Anyone who has had a painting experience knows that it is very difficult to deal directly with nature to create an artistic image without having to follow the standard procedural procedures. At the same time, on the other hand, blindly emphasizing the charm of the brushwork and neglecting specific objects can also go