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如今,小品、笑话、脱口秀等“类相声”语言类艺术形式的异军突起,使相声的地位受到了撼动,传统相声面临严峻挑战。百姓需要相声,毕竟它让人们获得快乐,特别是随着工作和生活压力的不断增大,人们更加渴望轻松快乐。更何况,相声艺术底蕴丰厚,与中华武术、中国京剧等中华民族的传统文化一样迫切需要保护、传承和发展,相声的出路只能是“与时俱进”。在关于相声的百家争鸣中,更多人认可了“小品、笑话、脱口秀等形式均源自或借鉴了相声艺术”的观点,所以,真正要经得起考验的不是相声的形式,而是相声的内容。面临挑战,新疆相声“五少一没有”现象亟待改变。
Today, skits, jokes, talk shows and other “class comic ” language art form of the sudden emergence, so that the status of crosstalk has been shaken, the traditional crosstalk is facing severe challenges. People need crosstalk, after all, it makes people happy, especially as the pressure of work and life continue to increase, people are more eager to be relaxed and happy. What’s more, the art of cross talk is rich in affluence and the urgent need of protection, inheritance and development is just as urgent as traditional Chinese culture such as Chinese martial arts and Chinese Peking Opera. The way out of cross talk can only be “advancing with the times”. In the debate about comic dialogue, more people have endorsed the idea that “sketches, jokes, talk shows and other forms are derived from or borrowed from the art of comic dialogue.” Therefore, what really stands to be tested is not the form of comic dialogues Is the comic dialogue content. In the face of the challenge, the cross-talk in Xinjiang is in urgent need of change.