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在当下的书画鉴定实践中,都有些什么人在掌握着话语权?在利用话语权说些什么?至于他们到底谁说了算?可能只有让历史来评定,我们只是在如实记录着历史的进程而已。
In the current practice of calligraphy and painting identification, are some people who have the right to speak? Speaking in the use of what to say? As for who in the end who have the final say? Only history can be assessed, we are only truthfully recorded the course of history Only.