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老舍被公认为幽默大师,“京味”派作家。然而细读老舍,莞尔之余总能感到一股无奈、悲凉之意;悲剧,在老舍笔下是一个实实在在的世界。老舍笔下的人物大多都是平凡的小市民、小人物,他们怀着朴实甚至卑微的愿望想融入都市,过正常的生活,但往往均以失败而告终。本文尝试通过“介入/逃避”这一较为独特的视角,归纳、分析出老舍笔下人物在传统与现代、乡土中国与都市中国的夹缝中欲进还退、进退失据的尴尬处境,探讨其悲剧根源,并由此提炼出老舍/叙事/作品悲喜交融的独特的美学风格特点。从一个比较新的角度挖掘出老舍创作中的现代悲剧意识。
Lao She was recognized as a master of humor, “Beijing flavor ” to send a writer. However, read Lao She, smiling while I can feel a helpless, desolate meaning; tragedy, in Lao She’s pen is a real world. Most of Lao She’s characters are ordinary villagers and villains, who, with simple and humble wishes, want to integrate into the city and live a normal life. However, they often end in failure. This article tries to summarize and analyze the awkward situation that Lao She’s characters in the tradition and the modern, the local China and the metropolitan China want to go back and retreat, and find their way back and forth through the more unique perspective of “intervention / escape” Tragedy roots, and thus refined Lao She / narrative / works of mixed aesthetic traits unique characteristics. From a relatively new point of view to dig out the modern tragedy consciousness in Lao She’s creation.