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从南到北、从东到西的中国民间舞蹈,几乎都离不开扇子这一道具,作为身体功能的一种延伸与拓展,扇子极大地丰富了民间舞蹈的表现力。山西左权小花戏中的扇子也是这样,其多姿多彩的象征性运用,不仅是舞蹈的表达,更是文化的折射。小花戏从庆贺祈愿到戏剧娱乐左权,古称辽地,居太行之巅,“万山深谷之中,纡迴曲折,袤延百里,商贾不通,舟车不至。”(明万历三十一年,孙毓英《辽州志序》)人们世代劳作于
From south to north, from the east to the west of China’s folk dance, almost all inseparable from the props fan, as an extension and expansion of body functions, fans greatly enriched the performance of folk dance. Shanxi Zuoquan flower fan is the case, its colorful and symbolic use, not only the expression of dance, but also the refraction of culture. Flowers from celebrating the prayers to the drama and entertainment Zuo Quan, the ancient name Liao, Taihang top, “Wanshan Valley among the twists and turns twists and turns, Yan extended Barry, Merchants barrier, the car can not. ” (Ming Wanli three Eleven years, Sun Yuying “Liaocheng Chi preface”) people generations work