古今中外的优秀小提琴演奏家、教育家都对小提琴右手的训练著书立说,并给予了高度的重视。在小提琴演奏中,右手对音乐的表现与左手具有同等的重要性。有好多学生对右手的重视程度不够,他们对左手音拉不准很敏感,也容易发现,并及时加以纠正,但却想不到也顾不上对右手的严格要求,导致演奏水平流于一般。因此我将从以下几个方面谈谈右手基本训练常见的问题和解决的办法。供大家参考。 Excellent violinists and educators at all times and in all countries have all said that they are training books on the right hand violin and have given it a high priority. In violin performance, the performance of the right hand to the music is equally important to the left hand. Many students are not paying enough attention to their right hand. They are not allowed to be very sensitive to the left hand’s voice and are easily found and corrected in time. However, they can not think of or care about the stringent demands on their right hand, resulting in a poor performance. So I will talk about the following aspects of the right hand basic training common problems and solutions. For reference.