国画处在一个大变革的时期。瀚天笠的艺术创作,也在这一时期生发起来,活跃起来。不难看出瀚天笠是一位着实勤奋的人,勤在两方面,一是手勤,要多画,二是脑勤,富于想象力,把这两方面加在一起可称毅力。美国瀚天笠近照房龙说得好“在艺术方面(正如自然科学)是没有捷径的。灵感不是成功之母,成功之母是坚韧不拔的毅力、毅力、更大的毅力。”在瀚天笠的作品中看到了毅力,当然也看到灵感。在他三十多年的艺术实践中,曾多年从事西画创作,有了很好的西画写实性的造型基础。七十年代转向中国画,则是一头伸向传统,大量研习传统的山水,又 Chinese painting is in a period of great change. Han Tian Li’s artistic creation, but also during this period was born, active. It is not difficult to see Han Tian Li is a real hard-working people, diligently in two aspects, one hand and ground, to draw more, and second, brain ground, imaginative, these two aspects together can be said perseverance. There are no shortcuts to art (like natural sciences). Inspiration is not the mother of success, and the mother of success is perseverance, perseverance, and greater perseverance. "In Han Tian Li’s work saw perseverance, of course, also see the inspiration. In his thirty years of artistic practice, he has been engaged in the creation of western painting for many years and has a solid foundation of realistic painting style. Seventies turned to Chinese painting, it is a stretch to the traditional, extensive study of the traditional landscape, and