2017年年初在北京中间美术馆开幕的“沙龙沙龙:1972-1982年以北京为视角的现代美术实践侧影”以两张放大了的、连在一起的黑白照片为开端,或许只有有耐性的观众才能辨别出这两张照片的出处:它们分别记录了唐山大地震和尼克松访华。这两件发生在20世纪70年代的历史事件象征着一个时代的终结,一个动荡的“十年”的尾声,同时也暗示了一个朝向“当代”的、变革式的开端。 “Sharon Salon: A Modern Art Practice From the Perspective of Beijing in 1972-1982” opened at the Beijing Museum of Art in early 2017. Starting with two magnified black and white photographs that are connected together, perhaps only patience Of the audience can discern the origin of these two photos: they recorded the Tangshan earthquake and Nixon visit China. These two historical events that took place in the 1970s symbolized the end of an era, the tumultuous “decade”, and the beginning of a “transformational” course toward “contemporary.”