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樊洲隐居终南山,看山读山画山,寻找独特的表现方式。樊洲的山水画分为三型,都具有人文意味:一是寓意山水,二是书写山水,三是乐律山水。其中,寓意山水和以行书笔法入画的山水画具有明显的中国意味,同传统山水画保持着文脉上的联系,又以较大跨度的表现方式,拉开同传统文人画的距离;以乐律入画的山水画,既体现出文脉又超越了文脉,使得不懂中国文化的欧美画家面对他的这批作品一看就懂,没有障碍。樊洲的乐律山水,用波浪状的行云
Fan Island seclusion Zhongnanshan, mountain reading mountain painting, looking for a unique way of expression. Fan Chau landscape paintings are divided into three types, all with humanistic meanings: one is the meaning of landscapes, the second is to write landscapes, the third is the music landscape. Among them, the allegory of landscape painting and calligraphy in line with the painting of the landscape painting has a clear Chinese meaning, with the traditional landscape painting maintains the context of contact, but also with a larger span of performance, opened with the traditional literati painting distance; Landscape painting, not only reflects the context and beyond the context, so that do not understand Chinese culture in Europe and the United States in the face of his works of this artist to understand, there is no obstacle. Fan Chau’s music landscape, with wavy clouds