如果我们将司汤达的《红与黑》与菲尔丁的《汤姆·琼斯》这两部小说在谋章布局上作一比较,就会明显地发现有许多共同点。长篇小说的结构错综复杂,手法多样,有以一中心人物贯之始终的单线结构,也有“花开一枝,话表两头”的双线甚至网状结构。从欧洲文学发展史来看,一般分为两种:一种是在“点”或“面”上展开的多层次多线条形式,另一种是在“线”上展开的单线纵向形式,前者强调的是空间场景 If we compare Stendhal’s “Red and Black” with Fielding’s “Tom Jones” in the layout of the consultative chapter, we will find clearly many things in common. The structure of novels is complex and diversified in style. The novel has a single-line structure that always runs through a central figure, and a double-wire or even mesh structure with “a flower, two words”. From the history of the development of European literature, there are generally two kinds: one is a multi-level multi-line form that is carried out on “point” or “surface” and the other is a one-line longitudinal form that is developed on “line” Emphasize is the space scene