从1959年凭借小说处女作《铁皮鼓》在德语文学界崭露头角,到1999年荣膺诺贝尔文学奖,德国作家君特·格拉斯以其小说独特的魅力成为德国战后文学的旗手。进入新世纪以来,德国的君特·格拉斯研究出现了前所未有的繁荣,出版的相关专著就达50余部。相对于以作家论为主、以单个文本为对象的早期研究,这一时期的格拉斯研究开始将作家的整体创作纳入研究视野,在研究方法上逐渐打破传统作家论模式,呈现出将作家小说文本置于跨文化、跨学科的广阔背景之下进行考察的新趋势。从研究方法来看,新世纪以来的德 From 1959, with the novel debut “tin drum” emerge in the German literary world, won the Nobel Prize in literature in 1999, and the German writer Günter Grasse became the standard-bearer of German postwar literature with the unique charm of his novel. Since entering the new century, there has been an unprecedented boom in the study of Junte-Grasse in Germany, with over 50 published monographs. Compared with the earlier studies, which mainly focused on writers and single texts, Grasse’s research in this period began to incorporate the writer’s overall creation into the research field of vision. Gradually breaking down the traditional writer mode in his research methods, The text is placed on a new trend of investigation under a broad cross-cultural and interdisciplinary background. From the perspective of research methods, Germany in the new century