老子的“有无相生”的辩证美学思想不仅蕴含在中国传统艺术中,在现代艺术中也一样光彩熠熠。在平面设计领域,图底反转图形的运用已经非常的广泛与娴熟,但其旺盛的生命力和独特的视觉语言使之仍有很大发展的余地,本文对图底反转图形的运用规律进行总结,并结合中国的设计现状与传统资源,对其今后在平面设计领域的拓展进行思考,以期促进中国民族设计风格的发展。 The dialectical aesthetics of Lao Tzu ’s “Whether there is oneness or not” is not only contained in the traditional Chinese arts, but also lustrous in modern art. In the field of graphic design, the use of graph reversal graphics has been very extensive and skillful, but its vitality and unique visual language make it still have a lot of room for development. In this paper, In conclusion, combining with China’s design status and traditional resources, we think about its future expansion in the field of graphic design with a view to promoting the development of Chinese national design style.