从事审美心理经验(程式、结构等)的探索研究,一直是一项复杂而不无使人窘迫的工程。一如滕守尧所言,人类对审美经验的认识至今仍停留在一个幼稚的阶段,“仅仅用哲学思辨或内省法对其研究是越来越不够了,所幸的是现在有了心理学的帮助,但心理学本身还没有成熟”。而作为综合艺术的戏曲的审美,无疑地要比 The exploration and study of aesthetic psychology experience (program, structure, etc.) has always been a complicated and uncompromising project. As Teng Shouyao said, humankind’s understanding of aesthetic experience is still at a naive stage. “It is more and more inadequate for its research only with philosophical speculation or introspection, but fortunately psychology is now available , But psychology itself has not matured. ” However, the aesthetic of the drama as an integrated art is undoubtedly more than that