近代中国画坛,论及云山险水的描绘,当首推陆俨少先生,而其最擅长的题材,莫过于长江三峡。先生喜绘峡江风光,缘于其抗战后由四川搭木筏顺江而下,举家返沪,途经三峡的一段经历。陆俨少幼时读《水经注》,至三峡一段,即喜其文字隽永而屡读不厌,而三峡江流险恶, Modern Chinese painting circles talked about the portrayal of the dangerous waters of Yunshan when the first Mr. Lu Yanshao was devalued, while the subject best suited to them was the Three Gorges of the Yangtze River. Mr. Hi Xiaoxia Gorge scenery, due to its raft from Sichuan after the war along the river, his return to Shanghai, after a period of experience in the Three Gorges. Lu Yan young when reading “water by the note,” to the Three Gorges section, that is, hi their meaningful and often read the words, and the Three Gorges Jiangju dangerous,