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本文通过将汉代新津画像砖上的猿猴形象与唐代《补江总白猿传》中的白猿形象进行对比,试总结出其形象上发生的变化,并结合实例分析造成这种变化的原因。
This article compares the image of apes on brick in Xinjin of Han Dynasty with the image of white ape in “The Biography of Ape White River” in the Tang Dynasty, and tries to summarize the changes in its image and analyze the reasons for the change .