《舞姿》,试图表现新疆维吾尔族姑娘的能歌善舞。初稿时有腿,似觉太露,一般化。把腿锯掉后,作品形象就较概括简炼了。原右臂下垂后摆,从肩部锯断,转成上举和右臂方向一致,动作呈“S’,形,舞蹈动作效果更强。因面部枯空,不能作为主看面,若加工但又感人为施工太多,不妥。所以只把背影作主看面,感觉表情更含蓄,能引 “Dance”, trying to show the Xinjiang Uighur girl singing and dancing. First draft leg, seems too exposed, generalized. After sawing out the legs, the work’s image is more concise. The original right arm drooping, sawing from the shoulder, turn into the upper and the right arm direction consistent, the action was “S”, shape, dance moves more effective because of facial dry, can not be seen as the main face, if processing But touching for the construction too much, it is not proper, so only the back of the house, looking more subtle, can lead