作为新文化运动的继承者和传播者,老舍先生一直将其文学创作的根植于中国文化,同时他又大胆地吸收和借鉴了欧洲尤其是英国文学的现实主义传统。他的祥子拉着人力车,“跑遍”了中国,“跑遍”了世界,真可谓“誉满全球”。受美国学者夏志清的启发,[1]本文试图通过对《骆驼祥子》(以下简称《祥子》)和《无名的裘德》(以下简 As a successor and disseminator of the New Culture Movement, Lao She always rooted his literary creation in Chinese culture. At the same time, he boldly adopted and borrowed from the realist tradition of European and especially British literature. His Shoko pull the rickshaw, “traveled ” China, “traveled ” the world, really “reputation for the world ”. Inspired by the American scholar Xia Zhiqing, [1] this article attempts to analyze the relationship between “Camel Shoko” (hereinafter referred to as “Shoko”) and “Jude”