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20世纪初中西文化碰撞下,保存公共和民族记忆的西方纪念雕塑被引入到武汉。作为近代中国最早的城市雕塑尝试之一,它们物化了当地政府对于公共纪念性的设想。在主题上,纪念孙中山、黄兴和蒋介石及其事迹,颂扬国民党的革命功绩;在风格服饰上,体现出对西方写实主义和中国传统文化特征的双重追求;在材料上,采用铜、石材等耐久材料,永久化领导人的存在,延长共有记忆;在领地编排上,位于政府新开辟的公共空间,与仪式一起构成纪念的空间视觉句法。这些雕塑实质是国民党操纵大众政治意识的尝试,蕴含着“唤醒”和“规训”的双重进程。
At the beginning of 20th century, Western memorial sculpture, which preserved public and national memories, was introduced to Wuhan under the collision of Chinese and Western cultures. As one of the earliest urban sculpture attempts in modern China, they materialized the local government’s idea of public commemoration. On the theme of commemorating Sun Yat-sen, Huang Xing and Chiang Kai-shek and his deeds, he celebrated the achievements of the Kuomintang’s revolution. In style apparel, he embodies the double pursuit of western realism and traditional Chinese culture. On the materials, he uses such durable materials as copper and stone , Permanent existence of the leaders to extend the common memory; in the territory of the arrangement, located in the government newly opened public space, together with the ritual to form a commemorative space visual syntax. The essence of these sculptures is an attempt of the Kuomintang to control the public’s political consciousness, which contains the dual process of “awakening” and “discipline”.