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随着时代的发展、人们目光和审美的变化,中国美术现代性的发展也日新月异,对于新时期中国美术的现代性的评论不能是一概而论的。面对中国美术的发展,要用辩证的观点和眼光看待。在面对外来美术文化的影响下,中国美术的发展获得了质的进步,并结合自身优势产生了具有中国文化特色的美术现代性。相较于单纯盲目接受外来美术文化要强化更多。本文从“文革”后的改革开放时期开始,对中国美术在20世纪的创作进行比较,并举例对各不相同的美术形式进行分析,阐述了美术的现代性叙述的内在逻辑是凭本身的文化优势进行“取其精华、去其糟粕”的吸收借鉴。
With the development of the times, people’s eyes and aesthetic changes, the development of modern art in China is also changing with each passing day. The commentary on the modernity of Chinese fine arts in the new era can not be generalized. In the face of the development of Chinese art, we should use a dialectical view and perspective. Under the influence of foreign art culture, the development of Chinese art has made qualitative progress, and combined with its own advantages, it has produced the art modernity with Chinese cultural characteristics. Compared to the simple blind acceptance of foreign art culture to strengthen more. This article starts with the period of reform and opening up after the “Cultural Revolution”, compares the creation of Chinese fine arts in the 20th century, and gives examples to analyze the different forms of art. It elaborates that the inherent logic of the modern narration of art is based on itself The cultural advantages of “take its essence, to its dregs,” the absorption of reference.