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我注意姚鸣京,在上个世纪90年代。那时,他已经在画坛崛起,所画山水,境界奇异,如梦如幻,现实与梦境交融,压抑与挣脱同在。他用传统的理法,结合西方现代艺术,构筑着荒诞的幻境。幻境中的景观,似乎不处于一个时空,而是若干场景的衔接,从中可见远离尘世的林路郊野、荒村老树、木屋板桥、佛龛塔影。不同景象的切换与衔接,则是不知何处飘来的雾气、断续凄迷的云水,还有横生倒长的老树。老树像被神秘的力量拔
I pay attention to Yao Mingjing, in the 90s of last century. At that time, he has been in the rise of painting, landscape painting, the state of the singular, dreamy, reality and dreams blend, depression and break free from. He used the traditional method, combined with Western modern art, to build a fantasy of absurdity. The illusion of the landscape, it seems not in a space-time, but the convergence of a number of scenes, from which can be seen far away from the world of forest road countryside, old trees, wooden houses Banqiao, Ying Xiao tower shadow. Different scenes of the switch and convergence, it is where I do not know where the mist, intermittent miserable clouds, as well as the tree grow downside down. Old trees like mysterious power pull