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20世纪古典戏曲研究的开山之祖为王国维、吴梅,然而,“董康对于戏曲研究的贡献,实不在王、吴之下”。《诵芬室丛刊》和《曲海总目提要》之外,董康尚有记载其于民国十五年(1926)至二十五
However, “Dong Kang’s contribution to the study of the drama is really not under Wang and Wu ”. “Recitation Room Series” and “Qu Hai head summary”, Dong Kang still recorded in the Republic of China fifteen years (1926) to twenty-five