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历史上高峰迭起、博大精深的山水画艺术衍化至今,遇到了前所未有的考验,甚至说它遭遇了一“劫”,也未尝不可。从表面上看,此劫的后果是“行画”、“风景照”、“导游图”、“效果图”等充斥山水画坛,虽“大师”遍地,然佳作难寻。从深处讲,则是“山水”、“山水画”由体现民族精神与文化品格的上层建筑变成了物化的“壁饰”,山水画的学术品格、民族风骨和艺术精神失落殆尽。
The ups and downs in history, the profound landscape painting art has evolved so far, encountered an unprecedented test, and even said that it suffered a “robbery” is not a bad idea. On the surface, the consequences of this robbery are “landscape paintings”, “landscape photos”, “tour guide map” and “renderings” which are full of landscape painting altar. From the depths, it is “landscape”, “landscape painting” by the embodiment of the national spirit and cultural character of the superstructure into a materialized “wall decoration”, landscape painting academic character, ethnic style and artistic spirit lost.