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乃珊: 首先第一句话是谢谢你。谢谢你的笔为我们提供了一组特殊的生活画面。你在那曾经豪华一时而今天却已显得斑驳的资产阶级厅堂上,打开了一扇窗户,让人们看到那些现在已经为数不多的深宅大院中的现状。当然,我并不是说在中国新文学中未曾有过以资产阶级为主角的作品。茅盾的《子夜》自不必说,全国解放以后,在上海先后也发表过两部长篇:《上海的早晨》和《东风化雨》。它们从不同的角度反映了中国资产阶级与它的对手们所进行的斗争。比如《子夜》写的是三十年代中国第一代民
Nessun: First, the first sentence is Thank you. Thank you for your pen provides us with a special picture of life. You opened a window in the once luxurious yet mottled bourgeois hall today to see the status quo in one of the few large mansions that are now numbered. Of course, I am not saying that there have never been any works based on the bourgeoisie in the new Chinese literature. Mao Dun’s “Midnight Night” Needless to say, after the liberation of the country, Shanghai has also published two ministries: “Morning in Shanghai” and “Weathered East.” From different perspectives, they reflect the struggle the Chinese bourgeoisie and its rivals have carried out. For example, “Midnight” is the first generation of Chinese people in the 1930s