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钧瓷是为了纪念夏朝在钧台举行开国大典而得名的,始于唐,盛于宋,至今已有1300多年的历史。虽然历经千年,依然薪火相传,长盛不衰。钧瓷作为一种古老的艺术,经历了久远的辉煌。但是钧瓷作品的窑变艺术很难通过人力进行精确的驾驭和把握。钧瓷造型又被视为文化符号的简单堆砌,以复杂的造型作为追求的目标。过于强调钧瓷器物的寓意内涵,不但牵强媚俗,还违背了钧瓷制作工艺和艺术表现规律。且在当前钧瓷造型设计中,抄袭模仿的现象非常普遍,造成了现在“匠气有余,艺术不足”的钧瓷造型设计现状。本文将从理论视角,对“现代审美视野下的钧瓷造型设计”进行深入探讨,从而为现实的钧瓷制造活动提供一定的指导和借鉴意义。
Jun porcelain is to commemorate the name of the Xia Dynasty held in Jutai founding ceremony, began in the Tang, flourished in the Song Dynasty, has been more than 1300 years of history. Although after thousands of years, still torpedo, long-lasting growth. Jun porcelain as an ancient art, has experienced a long time glory. However, it is difficult for the art of kiln change in Jun porcelain to be precisely controlled and grasped by manpower. Jun porcelain modeling has also been regarded as a simple symbol of cultural heritage, with a complex shape as the pursuit of the goal. Too much emphasis on the meaning of Jun porcelain implication, not only forcing kitsch, but also contrary to Jun porcelain production process and artistic performance. In the current Jun porcelain modeling design, plagiarism phenomenon is very common, resulting in now “crafting, art ” Jun porcelain shape design status quo. This article will make a deep discussion on the “design of Jun porcelain under the modern aesthetic vision” from the theoretical perspective, so as to provide some guidance and reference significance for the actual Jun Porcelain manufacturing activity.