在传统的山水画当中,线与形除了具备一种外在的语言表征外,其实它的本质是其内在所蕴含的个性气质,而这种内在的气质则是通过写和绘的方式来进行表达的,这就是古人常说的笔墨。在传统山水画中的线线条往往是通过毛笔“写”出来的,具有一定的笔性;通过线条的书写来表达情感,因而才具有了笔意。这种笔不仅要求其自身具有相对独立的审美,而且还要求其所表达的形也要有画意,笔意与画意相结合而产生的形,就有更高一层的人格精神内涵了。 In the traditional landscape painting, line and form in addition to having an external language representation, in fact, its essence is inherent in its inherent temperament, and this inherent temperament is written and painted way to express This is what the ancients often say. The lines and lines in the traditional landscape painting often come out through the writing brush “writing ”, and have a certain pen performance. Therefore, the expression is expressed through the writing of lines, and thus has the pen meaning. This kind of pen requires not only its own relatively independent aesthetic, but also requires that the shape it expresses also has the meaning of painting, the combination of writing and painting has a higher level of personality and spiritual connotation.