乡土,这是中国当代作家回头率极高的写作对象,或对视,或凝眸,或追溯,或诊治,乡土都是中国作家言之不尽的素材,也是寄慨遥深的归途。即使文人走出乡土走向大都市、大世界,却永远抹不掉乡土的记忆和雨露的滋润。作为已经渐行渐远的他者,乡土在革命和城市化的变革浪潮中,逐渐成为作家想象中的构镜,而面对乡土诉说古今的话语也成了一种传递良知与温情的寂寥甚或孤独的方式。回望历史,叩问初心,作家都有自己独特 The native land is the object of writing that the contemporary Chinese writers keep returning to the world with high rates of return. They also look or gazing at or tracing back or diagnosing and treating their native land as an inexhaustible source of material for Chinese writers. Even if the literati walked out of the countryside toward the metropolis and the world, they never eclipsed the memory of the native land and the moisture of the rain. As the other who has been moving away from the other side, the native land gradually became the constructors imagined by the writers in the tide of revolution and urbanization. In the face of the native land, ancient and modern discourses have also become a loneliness that transmits conscience and warmth Lonely way. Looking back to the history, when asked first thoughts, writers have their own unique