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《寒香诗思图》是南宋马远的代表作之一。团扇、绢本设色,纵25.5厘米,横25.7厘米,中国台北故宫博物院藏。这幅作品是典型的“马一角”式构图,山水以少胜多。它的价值不仅表现在构图的“空”和山水的“简”中,还标志了画家自我的认知和觉醒。本篇文章主要从马远作品入手,通过分析其从“诗”到“思”的过程,来阐述其思想上的最终“蝶变”。
“Han Xiang poetry thinking map” is one of the representative works of the South Song MA Yuan. Mission fan, silk color, vertical 25.5 cm, horizontal 25.7 cm, Chinese Taipei Palace Museum possession. This piece is a typical “horse corner” style composition, less landscapes to win more. Its value is not only reflected in the composition of “empty” and landscape “Jane”, but also marks the painter’s self-awareness and awakening. This article mainly starts with the works by MA Yuan, and expounds its final “butterfly transformation” by analyzing its process from “poems ” to “thinking ”.