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古典园林的设计者们在园林建造中将河水山川隐于园中,也将精神世界表于象里,不管是作为物体存在的山水、花木、建筑、碑刻,还是作为引发想象力的诗句,匾联,题额都负载着中国主流文化的儒、道、释思想,是我国几千年“隐逸文化”的典型物化代表。本文在“园林意象”的角度,以“提名立意”、“造山理水”、“植物配置”三个方面分析传统古典园林中隐逸意象选择,并从“以景观要素为文化载体”、“寻找多种景观要素并拓展象征意义”、“探究隐逸精神的新时代内涵”、“传统隐逸文化结合西方现代景观设计”四方面分析其对现代园林设计的启示。
Designers of classical gardens hide the rivers and mountains in the gardens in the construction of the garden, and also express the spiritual world in the imagery, whether it is landscapes, flowers, architecture, or inscriptions that exist as objects, or as imaginative verses. Both the title and the quota are loaded with the Confucianism, Taoism, and Buddhism thoughts of China’s mainstream culture, and it is a typical materialized representative of China’s thousands of years “seclusion culture”. From the perspective of “garden imagoes”, this article analyzes the choice of the reclusive imagery in traditional classical gardens from the aspects of “nominating concept ”,“” orogenic“,” plant configuration“ and The landscape elements are cultural vectors ”, “ to find a variety of landscape elements and expand the symbolic meaning ”, “ exploration of the new era of the reclusive spirit ”,“ traditional seclusion culture combined with Western modern landscape design” to analyze its four aspects Inspiration for modern garden design.