倘若说一位成熟的艺术家笔下情有独钟的形象往往是他心灵的写照的话,那么对中国美院陈聿强教授来说,这样的审美移情图画便主要是他那些系列性的水印丝网版画《鹭鸶》了。 “宿雨朝来歇,空山秋气清”,幽谷山溪,流水飞花。数块溪石、历落枯草之旁,是一只洁白如雪的鹭鸶,站在清流之中,瞪圆了眼睛正向水中寻觅,使人产生“水清鱼见”的联想。黑石,白鹭,灰蓝色的溪流,鹅黄色的草茎,连同画面右下角一方小小的朱红名章,构成一个简洁调和的色彩世界。鹭鸶用笔舒放洗练,草茎仿佛随手划出而又疏密有致,加上溪水深浅流韵的自然 If a well-established image of a mature artist is often the portrayal of his soul, then to Professor Chen Yuqiang of the Chinese Academy of Fine Arts, such aesthetical empathy is mainly his series of watermark screen prints Egret “Sleepy rain toward the rest, empty autumn clear”, valley mountain stream, flowing fly. A few blocks of creek, next to the calendar haystack, is a white snowy egret, standing in the clear stream, staring eyes looking forward to the water, people have “clear water fish meet,” the association. Blackrocks, egrets, gray-blue streams, goose-yellow grass stems, together with a small vermilion chapter on the lower-right corner of the screen, make up a concise and harmonious color world. Heron 舒 Shu with the pen to practice, grass stems seem to readily draw and sparsely caused, coupled with the depth of the stream flowing natural