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当代山水画写生求发展的实践,是时代的要求,本文通过对当代主要几个以写生为基础进行创作流派京派、长安画派、金陵画派、岭南画派的写生观念、方式、作品成果几方面来考察它们的所变者何,有何效果。说明当代山水画写生的价值。通过诸家派的写生实践,当代山水画不管是绘画语言的拓展,还是对绘画观念的变革的实现,都取得进展,功不可没。山水画变得与时代、现实生活相贴近,现代人文主义精神关注人生、人性的方面在山水画中通过写生得到一定程度的体现和实现,出现了诸如李可染的逆光语言,诸流派中出现的丰富多彩的色与墨的组合形式和丰富多样的语言和技巧,山水画中普遍出现了深厚为特质的笔墨语言风格。因此,不管是从前、现在、将来,山水画写生都应是我们与自然交流,感悟生命,生发新的绘画语言的一种重要手段。
The contemporary practice of landscape painting sketching and development is the demand of the times. In this paper, several contemporary literary creation schools, such as Beijing School, Chang’an School, Jinling School and Lingnan School, To examine what has changed for them and what is the effect. Illustrate the value of contemporary landscape painting sketches. Through the sketching practice of various schools of thought, contemporary landscape painting has made great achievements whether it is the expansion of painting language or the realization of the transformation of painting concept. Landscape painting has become close to the times and real life. The modern humanistic spirit has paid close attention to life and human nature to a certain extent by sketching in landscape painting. Some of the flashback languages such as Li Keran and the rich and colorful Color and ink combination of forms and a rich variety of languages and techniques, landscapes generally appear deep for the characteristics of the pen and ink language style. Therefore, no matter from the past, the present and the future, the sketching of landscape painting should be an important method for us to communicate with nature, to comprehend life and develop new drawing languages.