“人道主义意义上的人的解放”是社会进步的真正目的之所在。以梅兰芳为代表的京剧艺术大师穷毕生之精力,追求自我实现,当他们攀登到艺术的高峰时,曾获得过真正的自由和解放。京剧由于“巨人”的存在而兴盛,要振兴京剧,先要具有巨人的开创胸襟和承担重任的怀抱。诚然我们不能自由地选择我们的时代和文化环境以及既成的生产关系,但是我们仍给自己留有选择将来的自由,通过正确的抉择,从半动物的状态脱离出来而成为全面发展的人! “Humanistic liberation in the humanitarian sense ” is the real purpose of social progress. The masters of Peking Opera, represented by Mei Lanfang, spent their entire lives in pursuit of self-fulfillment. When they climbed to the peak of art, they gained real freedom and liberation. Peking Opera prospered due to the existence of the “Giant”. To revitalize Peking Opera, Peking Opera first needed to have the giants’ pioneering mind and the undertaking of responsibility. It is true that we can not freely choose our time and cultural environment and our established relations of production. However, we still leave ourselves with the freedom to choose the future, and make the all-round development from the semi-animal state through correct choice.