赵文江的山水画,不独忠实于林壑泉石,草目云山,更忠实于自己。赵文江是在用他自己的绘画语言,来表现其独有的审美感受。不拘于模山范水的形似,重在表现对山水的憧憬,再显其品格精神。既重视自然,能与花鸟共忧乐;又轻视自然,能奴仆命风月。文江写富春江沿岸风光,足显燕赵豪气,虽尺寸亦挟云烟之势,以苍老淋漓之气别开生面,可谓气韵沉雄。赵文江从师名家,又尝临写五代宋元各名家,广览历代画论,因此其画作,古色苍然。他的山水画多以墨色为主,绝少红绿黄紫之色,故有简约拙朴之致。 Zhao Wenjiang’s landscape painting, not only faithful to Lin Hequan stone, grass cloud mountain, more faithful to themselves. Zhao Wenjiang is using his own painting language, to express its unique aesthetic experience. Regardless of the shape of paradise, focusing on the performance of the vision of landscape, and then show its character and spirit. Both pay attention to nature, can enjoy a total of fun with flowers and birds; but also contempt for nature, slave servility. Wenjiang River to write rich coastal scenery, enough to show Yan Zhao Zhaohao, although the size also relies on the trend of clouds and clouds, with the old dripping of the breath of gas, can be described as Shen Yun Shen Yun. Zhao Wenjiang masters master, and then try to write the Five Dynasties Song and Yuan Dynasties famous, wide view of ancient painting theory, so the painting, pale color. Most of his landscape paintings mainly ink color, rarely red, yellow and purple color, so simple and simple Zhuozhi.