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日本美学家介道友信认为:“东、西方关于艺术与美的概念,在历史上的确是同时向相反展开的,西方古典艺术理论是模仿再现,……而东方的古典艺术理论却是写意即表现。”①他的观点得到许多中外美学家的认同。所谓模仿或写意,再现或表现,在审美知觉上首先就是时空感的体现。恩格斯说:“一切存在的基本形式是空间和时间。”②中西方审美时空意识的相反流程在经过各自漫长的
The Japanese aesthete said in his letter: “The concepts of art and beauty in the East and the West do indeed go to the opposite direction in history, and the Western classical art theory imitates and reproduces ... The Oriental classical art theory is freehand performance . ”① His view was endorsed by many Chinese and foreign aesthetic scholars. The so-called imitation or freehand, reproduction or performance, aesthetic perception is the first manifestation of the sense of time and space. Engels said: “The basic form of all existence is space and time.” (2) The opposite process of the aesthetic space-time consciousness between China and the West