“三国”故事很富动作感,这原本很适合电视直观语言的叙述。但是实际情形却又困难很多,因为它随时都是千军万马的大规模厮杀。也因此,看片之前就稍稍心存忐忑。那种以数千人枪,胡乱扑腾一番,即意谓“大战”的情景,我们已在银幕荧屏间看得不少。然而电视剧《三国演义》却能让人基本满意,“官渡之战”、“赤壁之战”中,那种壮阔的场面气势是被营造出来了。故事的动作感同时也表现在人物性格与情感的张力上。“官渡之战”中的袁绍、曹操尤为成功。电视剧在这些形象塑造中的审美内涵,就在于将诸如袁绍的刚愎自用、心胸狭窄、乖张暴戾的品性,生动逼真地表现了出来:又将曹操的心计谋略、英雄气 “Three Kingdoms” story is very moving sense, which originally is very suitable for television visual language narrative. However, the actual situation is much more difficult because it is a large-scale battle between the mighty and the mighty at any time. As a result, before watching the film a little caretaker. That kind of situation with thousands of guns and random rushes, which means “war,” we have seen a lot in the screen of the screen. However, the drama “Three Kingdoms” can make people basically satisfied, “Guandu Battle”, “Battle of Red Cliff”, the kind of magnificent scene momentum was created. The sense of movement of the story also manifests itself in the tension of character and emotion. Yuan Shao and Cao Cao were particularly successful in the battle of Guandu. The aesthetic connotation of the dramas in these images is that they vividly show the character of Yuan Shao’s self-use, narrow-mindedness and mischievousness. In addition, Cao Cao’s tactics and heroes