本文从具体的个案“遵义红军纪念碑”出发,从作品的时间线索、创作手法、美学特征等多角度呈现了叶毓山创作当中较为重要但尚未引起足够重视的作品,通过深入研究,揭示了艺术家具有鲜明特征的纪念碑雕塑语言形成的内在逻辑,折射出新中国纪念碑雕塑的发函历程,呈现了前辈雕塑家寻求中西方结合的风格/样式的探索和实践过程。 Starting from the specific case “Monument of the Red Army in Zunyi”, this article presents the more important but not enough important works of Ye Yushan’s creation from the perspective of time clues, creative techniques and aesthetics features of the works. Through in-depth study, The intrinsic logic of the distinctively shaped monument sculpture language reflects the process of sending letters of new Chinese monuments and presents the exploration and practice of the style / style of older sculptors seeking the combination of the East and the West.